Paraphernalia 1 by Judy Carroll Deeley

Opening by Patricia Mckenna Tuesday March 26th 2019 6 – 8 pm.

1 JudyCarrollDeeley_Paraphernalia 1_aa_Oil on canvas_70 x 50 cm_2018

Judy Carroll Deeley’s paintings are concerned with illuminating the strange or mysterious qualities that haunt everyday objects. In Paraphernalia 1 the source of her work is a number of gifts of kitchen implements she received for her wedding but never used. Now largely rusting or otherwise discoloured or dilapidated, the act and fact of painting these objects is her way of ‘reclaiming’ them and acknowledging the temperament she feels pertains to them on taking a fresh, long-delayed look.

Judy Carroll Deeley is a professional artist and has a BA Hons. Fine Art (Painting) from NCAD, 2008, and an MA Hons. Visual Art Practices from IADT, 2011. Her fourth solo exhibition, Paraphernalia 1, opens in deAppendix, 30 Ardagh Grove, Blackrock, Co. Dublin on Tuesday 26st March 2019. She has participated in many group shows including ‘Arrival’ in the dlrLexicon Gallery 2017/18 curated by Gemma Tipton, and the Dunamaise Open 2017/18 curated by Patricia McKenna and Claire Behan. Earlier group shows include the Rua Red Winter Open 2014/15 where she won The People’s Choice Award, and The Claremorris Open 2009. She was awarded a Belmont Mill Residency in 2012 and a Ballinglen Arts Foundation Fellowship in 2015. A fifth solo show takes in 2020 in South Tipperary Arts Centre to be curated by Carissa Farrell and a sixth in the Custom House Quay Studios in February/March 2020. See Essay on Paraphernalia 1 by Dr Maebh O’Regan for the essay by Maebh O’Regan on Judy’s work. 

Contact : Instagram:   @judy.carroll.deeley /


Happenings, Olwyn Colgan


Olwyn Colgan at deAppendix, 30 Ardagh Grove

21st January until 17th March 2019.

Olwyn’s art has evolved into a combination of collage, (using found and self-created imagery), combined with paint, inks and pastels. Her practice embodies the belief that art making can enrich life by providing a means of engaging, reflection on, expressing, and developing life stories.

Her subject matter is drawn from day-to-day life including figures within landscapes and interiors, generating visual images telling stories with the intent to engage the viewer’s imagination and emotions.

Olwyn’s paintings aim to strike a balance between Realism, Surrealism. Her enigmatic and intense art wishes to “make you think, confuse you, make you feel like you are in a dream”. / Instagram: OlwynColgan / FB: OlwynColganArt 


Olwyn Colgan was born in Co. Tyrone, and is now living in Dublin.
She graduated with a degree in Fashion and Design at the University of Ulster Belfast in 1995. She then pursued a career in London, designing for fashion companies Cyberdog and Sue Rowe.

In 2000 she moved back to Ireland and began to move into a fine art tradition studying Painting and Drawing, bringing into her work illustration skills but also powerful dynamics from her fashion background and culture.

Olwyn has had previous solo shows in Strule Art Centre, Omagh, Co. Tyrone in 2017 and Inspire Gallery Dublin in 2016 and an up and coming solo show in The Icon Factory Dublin. She has participated in numerous group shows most recent being The Engine Room Gallery Belfast and, Dunamaise Arts Centre, Co. Laois. She is currently undertaking a Diploma in Art and Design in NCAD and is employed in Arts Education.

Memento Aldi – Danny Kelly

Memento Aldi, new body of work by Danny Kelly. Show runs until 7th Dec 2018.

Memento Aldi is an installation of Danny Kelly’s recent painting at DeAppendix. Kelly’s work elaborates a subjective sphere of heterogeneous features comprising tropes of painting culture and items of biographical significance. A protean topography traverses the work’s pictorial content, objective environmental and material properties, and interpreted public and personal cultures – intimations of chart music and domestic miscellanea. Dynamics of disintegration and consolidation alternate, suggesting an accidental crucible breeding ephemeral hybrids. A visceral, crudely drawn practice emerges – playing with cohesiveness, personal identity and public visuality – and is embraced as a pidgin chart music.

“This exhibition is dedicated to the memory of the artist John Freeney, who lived on Merville Road. His talent and generosity made it possible for me to want to be an artist” Kelly, 2018

Community of biro (2018), oil and mixed media on canvas


Make Some Noise by Lieselle

Delighted to share Lieselle’s latest song. Enjoy



Inventing Solutions – Carol O’Connor

Inventing Solutions

Carol O’Connor at deAppendix 4th April until May 26th 

Taking Off, 33x38cm, mixed media on gesso board, 2016

Inventing Solutions, Carol O’Connor’s current body of work reference nature, built environments and travel. Her process of layering paint and scraping away will often inform the narrative of the painting as she leans towards complete abstraction. Destroying the initial image and then returning some feature of it in an over and back, push and pull process adds physicality to the practice of painting. The idea of representation or abstraction is not the end goal but the process itself.

Carol O’ Connor graduated from NCAD in 2009 with a BA Honours degree in Fine Art, specialising in painting.Carol has shown work in the RHA Annual exhibition and has had a number of Solo exhibitions. She has work in the Imago Mundi Benneton collection, OPW Collection, Contemporary Irish Arts Society, Beaulieu House Co. Louth, Meath Co. Council and Axa Insurance. She is represented by Chimera Gallery in Mullingar. She is also a member of The’ Flotsam’ Art Collective with Thomas Brezing, David Newton, Brian Hegarty and Gary Robinson.

Winter Long, 23cm x 28cm, mixed media on gesso board, 2015

Let Me Stay, 48cm x 58cm, mixed media on gesso board, 2016

Little Flowers – Austin Hearne at deAppendix


Little Flowers

Austin Hearne at deAppendix

28th February until 31st March 2017.

Sexy, beautiful, ugly, dead, dying, everywhere. Flowers: symbols of life, love and death, memorials to those past and passing. We are all flowers, battling time, only we have infinitely more than our showy friends. They remind us of our vibrancy, our individuality, our autonomy and cruelly our end.

The flowers in Austin Hearne’s photographs come from religious sites, photographed on his many research trips around Ireland. A mixture of fake and real, arranged in various vessels and placed in differing settings. In contrast to these documentary photos, Hearne presents a suite of staged still lifes, assembled from the rose gardens and land around the now defunct St Clare’s convent in Harold’s Cross where the artist has his studio. In these photographs he constructs every element within the photographic frame, from the painted vessels, collaged backgrounds and the arrangements of the flowers themselves. Through a range of photographic and print manipulation Hearne presents these photos as allegories or symbols posing questions on the Catholic Church’s influence on the many aspects of our lives, loves and bodies.


Austin Hearne completed his MFA at NCAD in 2016 and has exhibited in The Talbot Gallery Dublin, The Complex Dublin, Kilkenny Arts Festival, Royal Ulster Academy, Belfast and internationally in New York, Munich, Glasgow and London.

Warrior One in Three


deAppendix are delighted that Amanda Graham’s solo show Warrior One in Three is due to open next week. Graham exhibits both nationally and internationally with many upcoming exhibitions. Her work has featured in many publications and she is currently the Visual Arts Correspondent for The Arts Hour on Shannonside Northern Sound FM. Graham completed an MA Fine Art at National College of Art and Design, Dublin in 2011.


I Am Not Dead_Drawings, etchings, aquatint, and ink collaged on to panel_122 x 92 cm_2014

I Am Not Dead (2014) Drawings, etchings, aquatint, and ink collaged on to panel_122 x 92 cm

Graham’s forthcoming show Warriors One in Three acknowledges the stoic bravery, dignity and resilience of people that have faced serious illness. The title of the show draws on the frightening fact that cancer will touch one in three of us.


Sandwich Board2_Drawings, monoprints, etchings, fabric and paper cut outs collaged on to panel_122 x 61 cm_2014

Sandwich Board, (2014) Drawings, monoprints, etchings, fabric and paper cut outs collaged on to panel, 122 x 61 cm

Through this exhibition the victim becomes the warrior by addressing perceptions of conflicting cultural projections played out through society. Graham’s practice is a trajectory of self-reflection, personal narrative, and memoirs where the viewer completes the experience. Handmade process is essential to the practice. The traditional mediums of drawing, fine print are collage are key to generating the intricate visual representation that penetrates the memory of the observer creating unconscious and organic emotional reactions.

Opening Tuesday 20th Oct at 6.30pm. Show continues Oct 21st – 20th Nov 2015. For further info or images please contact : Ciara on 01 2785866 or

This Port Is A God Send!_Lino and screen prints, drawings and paper cut outc collaged onto panel_122x92cm_2014

 This Port Is A God Send!,(2014) Lino and screen prints, drawings and paper cut outc collaged onto panel, 122x92cm